from Louise Bourgeois: Destruction of the Father/Reconst​ruction of the Father: Writings and Interviews 1923 - 1997

Louise Bourgeois, “Seven in a bed”, 2001

The Goddess of Spring - 1934

2 notes

Louise Bourgeois kind of night

I need my memories. They are my documents. I keep watch over them. They are my privacy, and I am intensely jealous of them. Cézanne said: ‘I am jealous of my little sensations.’ To reminisce and woolgather is negative. You have to differentiate between memories. Are you going to them or are they coming to you? If you are going to them, you are wasting time. Nostalgia is not productive. If they come to you, they are the seeds for sculpture.
Self-expression is sacred and fatal. It’s a necessity. Sublimation is a gift, a stroke of luck. One has nothing to do with the other. I am saying in my sculpture today what I could not make out in the past. It was fear that kept me from understanding. Fear is the pits. It paralyzes you. My sculpture allows me to re-experience the fear, to give it a physicality so I am able to hack away at it. Fear becomes a manageable reality. Sculpture allows me to re-experience the past, to see the past in its objective, realist proportion.

I am a lonely, long distance runner, and that’s the way I like it.

"I do not have to live in an empty world / world of vacuum,
I can create / my own, artist world of omnipotence + fantasy. 
Modeling space, for Bourgeois, was a way to stave off the void within.”


Andy Goldsworthy’s art.

1,576 notes

A woman must continually watch herself. She is almost continually accompanied by her own image of herself. Whilst she is walking across a room or whilst she is weeping at the death of her father, she can scarcely avoid envisaging herself walking or weeping. From earliest childhood she has been taught and persuaded to survey herself continually. And so she comes to consider the surveyor and the surveyed within her as the two constituent yet always distinct elements of her identity as a woman. She has to survey everything she is and everything she does because how she appears to men, is of crucial importance for what is normally thought of as the success of her life. Her own sense of being in herself is supplanted by a sense of being appreciated as herself by another… One might simplify this by saying: men act and women appear. Men look at women. Women watch themselves being looked at. This determines not only most relations between men and women but also the relation of women to themselves. The surveyor of woman in herself is male: the surveyed female. Thus she turns herself into an object — and most particularly an object of vision: a sight.


" - John Berger, Ways of Seeing (via surbeat)